• Springtime in Paris #19
1 1

SPRINGTIME IN PARIS 19

SPRINGTIME IN PARIS 19

États-Unis d’Amériques

JChadima

Peinture

Style : Abstrait

Huile, Toile de lin, 2024

65 cm x 54 cm

€3.800,00 EUR
€3.800,00 EUR
En vente Vendue
Taxes incluses. Frais d'expédition calculés à l'étape de paiement.

Envois & Retours

  • Livraison professionnelle dans le monde entier, contrôlée par nos experts logistiques
  • Les frais d'expédition, taxes et frais de douane sont inclus dans le prix

Garantie

Horizon World Art garantit fiabilité et traçabilité.

Tous les artistes de la plateforme ont été spécialement sélectionnés et certifient ne vendre que des œuvres dont ils sont les auteurs. Quel que soit le support, l'œuvre est envoyée à l'acheteur avec un certificat d'authenticité. Les photographies sont numérotées et signées.

Chaque client peut recevoir une copie de son certificat d'authenticité en contactant contact@horizonworldart.com

Paiement

Avec Horizon World Art, vous pouvez payer en toute sécurité par carte bancaire ou virement bancaire.

Pour toutes transactions dépassant votre limite de crédit, contactez-nous. Nous sommes tenus de vérifier chaque transfert, dans le cadre de la lutte contre la fraude et le blanchiment d'argent.

Prix

Les prix Horizon World Art incluent ce qui suit :

  • Prix d'une œuvre défini par un artiste
  • Assurance. Votre commande est protégée à 100% en cas de dommages ou de perte
  • Préparation des frais de douane, des taxes et des documents
  • Frais d'expédition du prestataire logistique
  • Un spécialiste du service client Horizon World Art qui répondra à toutes vos questions ou préoccupations lors de l'expédition
Œuvre unique signée Avec certificat d'authenticité
Livraison A l'international par des spécialistes
Paiement sécurisé Carte bancaire avec cryptage SSL
Afficher tous les détails

A propos de l'oeuvre

SPRINGTIME IN PARIS 19  

Springtime in Paris 19 continues JChadima’s exploration of the flower as both a recognizable subject and a vehicle for abstraction. As part of the larger Springtime in Paris series, the painting shares the series’ fascination with magnification, organic structure, and the unexpected visual complexity found within familiar botanical forms. Here, however, the composition feels particularly sculptural, with petals folding, curling, and opening from a concentrated center.

The painting is dominated by a restrained yet luminous palette of ivory, soft grey, muted olive green, and vibrant yellow green. Light appears to move across the surfaces of the petals, defining their contours while allowing individual forms to merge into one another. The flashes of yellow bring warmth and vitality to the cooler neutrals, suggesting the renewed energy associated with spring without relying on conventional floral colour.

Compared with other works in the Springtime in Paris series, Springtime in Paris 19 places greater emphasis on structure and movement. Rather than presenting the flower primarily as a delicate botanical image, JChadima brings the viewer extraordinarily close, transforming petals and leaves into broad planes, sweeping arcs, and tightly folded forms. The flower becomes almost architectural. Forms radiate outward from the compressed center, creating a visual rhythm that alternates between expansion and enclosure.

This close perspective also creates a compelling tension between representation and abstraction that runs throughout the series. From a distance, the composition can be experienced as an arrangement of shapes, tonal transitions, and intersecting curves. With closer attention, the botanical origins become increasingly apparent. That shifting perception—between seeing a flower and simply experiencing form and colour—is fundamental to JChadima’s approach throughout Springtime in Paris.

There is also an organic sensuality to Springtime in Paris 19. The overlapping petals suggest softness and movement, while their enlarged scale gives them an unexpected physical presence. Some forms open expansively toward the viewer while others turn inward, creating intimate spaces of shadow and light. The painting asks the viewer to reconsider something familiar by experiencing it at a scale and proximity that would normally pass unnoticed.

Within the broader Springtime in Paris series, No. 19 feels both connected and individual. It retains the series’ emphasis on close observation, simplified natural forms, and quiet beauty, while pushing more decisively toward abstraction. The flower remains the source, but it is no longer merely the subject. Instead, it becomes a means of exploring rhythm, movement, light, colour, and the hidden beauty found within the living forms that surround us.

 

Provenance :

CERTIFIED EXPERT N° 20260903104755 | REFERENCE/ISNI : 2024-26

AKOUN CERTIFIED : 3800 Euros.
Exhibitions :

2024 CARROUSEL DU LOUVRE, PARIS

À propos de l’œuvre

SPRINGTIME IN PARIS 19  

Springtime in Paris 19 continues JChadima’s exploration of the flower as both a recognizable subject and a vehicle for abstraction. As part of the larger Springtime in Paris series, the painting shares the series’ fascination with magnification, organic structure, and the unexpected visual complexity found within familiar botanical forms. Here, however, the composition feels particularly sculptural, with petals folding, curling, and opening from a concentrated center.

The painting is dominated by a restrained yet luminous palette of ivory, soft grey, muted olive green, and vibrant yellow green. Light appears to move across the surfaces of the petals, defining their contours while allowing individual forms to merge into one another. The flashes of yellow bring warmth and vitality to the cooler neutrals, suggesting the renewed energy associated with spring without relying on conventional floral colour.

Compared with other works in the Springtime in Paris series, Springtime in Paris 19 places greater emphasis on structure and movement. Rather than presenting the flower primarily as a delicate botanical image, JChadima brings the viewer extraordinarily close, transforming petals and leaves into broad planes, sweeping arcs, and tightly folded forms. The flower becomes almost architectural. Forms radiate outward from the compressed center, creating a visual rhythm that alternates between expansion and enclosure.

This close perspective also creates a compelling tension between representation and abstraction that runs throughout the series. From a distance, the composition can be experienced as an arrangement of shapes, tonal transitions, and intersecting curves. With closer attention, the botanical origins become increasingly apparent. That shifting perception—between seeing a flower and simply experiencing form and colour—is fundamental to JChadima’s approach throughout Springtime in Paris.

There is also an organic sensuality to Springtime in Paris 19. The overlapping petals suggest softness and movement, while their enlarged scale gives them an unexpected physical presence. Some forms open expansively toward the viewer while others turn inward, creating intimate spaces of shadow and light. The painting asks the viewer to reconsider something familiar by experiencing it at a scale and proximity that would normally pass unnoticed.

Within the broader Springtime in Paris series, No. 19 feels both connected and individual. It retains the series’ emphasis on close observation, simplified natural forms, and quiet beauty, while pushing more decisively toward abstraction. The flower remains the source, but it is no longer merely the subject. Instead, it becomes a means of exploring rhythm, movement, light, colour, and the hidden beauty found within the living forms that surround us.

 

Provenance :

CERTIFIED EXPERT N° 20260903104755 | REFERENCE/ISNI : 2024-26

AKOUN CERTIFIED : 3800 Euros.
Exhibitions :

2024 CARROUSEL DU LOUVRE, PARIS

fallback text for a video
A propos de l'artiste Jchadima

Interview by Karen Marin, Rédactrice indépendante Conseiller consultant pour Essenencional et amie de l'artiste (Deuxième partie en français).

JChadima est un peintre et photographe basé à Paris qui continue d’exposer à l’international.
Il est reconnu par le guide international des enchères « AKOUN » avec une cotation certifiée pour la vente de ses œuvres et des évaluations à la revente.

Il a développé ses compétences et sa créativité dès son plus plus jeune âge : JChadima expose et vend son travail depuis longtemps aux Etats-Unis.

Né aux USA, JChadima a fait ses études et a été diplômé à l'Université du Colorado. Son style unique et sa vision créative ont été nourris et se sont construits sur de solides bases qu'il doit à des artistes américains parmi les plus influents du début au milieu du siècle dernier, et à certains de leurs anciens étudiants. Quelques-uns de ses professeurs ont été élèves d'artistes comme Georgia O'Keeffe d'abord, mais aussi Alfred Stieglitz et Ansel Adams. Ils ont été directement impliqués et influents dans les racines artistiques de JChadima.

Utilisant son expertise en photographie, JChadima a développé la capacité d’observer les détails et de s'inspirer du monde qui l'entoure.

Que ce soit directement de la nature ou de la nature morte, des influences urbaines et environnementales ou historiques actuelles, les bases de ses peintures proviennent directement des impressions qu'il tire de sa photographie.

Un processus d'abstraction se produit en voyant au-delà des images et en analysant la ligne, la forme, les formes, les couleurs et les textures.

En utilisant ces aspects, une étude de palette hautement stylisée, graphique et colorée est produite, et ses œuvres prennent vie …


ENGLISH:
JChadima is a Paris based painter and photographer who continues to exhibit internationally.
He is recognized by the international auction guide "AKOUN" with a certified quotation for the sale of his work and resale evaluations.

Refining his skills and highly creativity from a very young age; JChadima has been exhibiting and selling his work from a very young age.

Born in the United States, JChadima was educated and hold several degrees from the University of Colorado. His unique style and creative vision was nurtured and constructed on a solid foundation with some of the most influential early to mid-century American artists and their former students. Artists like Alfred Stieglitz, Ansel Adams, Georgia O’Keeffe, Arthur Dove and others were directly involved and influential in contributing to JChadima’s artistic foundation.

Employing his expertise in photography JChadima developed the ability to discern and draw inspiration from the world around him. Either it be directly from nature or still life, urban and environmental or current historic influences, the bases of his paintings come directly from the impressions he derives from his photography. An abstraction process occurs seeing beyond the images and analysing line, form, shapes, colors, and textures. Utilizing these aspects, a highly stylized, graphic, colorful pallet study is produced, and the pieces of work come to life.

Jchadima

Découvrez les œuvres de JChadima.

1 4
Tout afficher