• Native American Corn (Maïs des Indiens d'Amérique)
1 1

NATIVE AMERICAN CORN (Maïs des Indiens d'Amérique)

NATIVE AMERICAN CORN (Maïs des Indiens d'Amérique)

États-Unis d’Amériques

JChadima

Peinture

Style : Abstrait

Huile, Toile de lin, 2019

60 cm x 50 cm

€1.350,00 EUR
€1.350,00 EUR
En vente Vendue
Taxes incluses. Frais d'expédition calculés à l'étape de paiement.

Envois & Retours

  • Livraison professionnelle dans le monde entier, contrôlée par nos experts logistiques
  • Les frais d'expédition, taxes et frais de douane sont inclus dans le prix

Garantie

Horizon World Art garantit fiabilité et traçabilité.

Tous les artistes de la plateforme ont été spécialement sélectionnés et certifient ne vendre que des œuvres dont ils sont les auteurs. Quel que soit le support, l'œuvre est envoyée à l'acheteur avec un certificat d'authenticité. Les photographies sont numérotées et signées.

Chaque client peut recevoir une copie de son certificat d'authenticité en contactant contact@horizonworldart.com

Paiement

Avec Horizon World Art, vous pouvez payer en toute sécurité par carte bancaire ou virement bancaire.

Pour toutes transactions dépassant votre limite de crédit, contactez-nous. Nous sommes tenus de vérifier chaque transfert, dans le cadre de la lutte contre la fraude et le blanchiment d'argent.

Prix

Les prix Horizon World Art incluent ce qui suit :

  • Prix d'une œuvre défini par un artiste
  • Assurance. Votre commande est protégée à 100% en cas de dommages ou de perte
  • Préparation des frais de douane, des taxes et des documents
  • Frais d'expédition du prestataire logistique
  • Un spécialiste du service client Horizon World Art qui répondra à toutes vos questions ou préoccupations lors de l'expédition
Œuvre unique signée Avec certificat d'authenticité
Livraison A l'international par des spécialistes
Paiement sécurisé Carte bancaire avec cryptage SSL
Afficher tous les détails

A propos de l'oeuvre

MAIS DES INDIENS D’AMERIQUE

In Maïs des Indiens d'Amérique, JChadima transforms a familiar botanical subject into a richly coloured study of nature, abundance, cultural heritage, and extraordinary chromatic diversity. Painted in 2019 from a photograph of Native American corn, the work focuses on the remarkable variations of colour and form contained within a single ear, elevating an agricultural plant into a commanding visual presence.

The extraordinary colours represented in the painting are drawn from real Native American corn and are not an abstract invention. Brilliant yellows, greens, oranges, reds, blues, and violets reflect the remarkable natural diversity found among Indigenous corn varieties. Cultivated in the Americas for thousands of years, corn has been preserved across generations by Indigenous peoples and is deeply connected to sustenance, community, tradition, and cultural continuity. The painting therefore presents not simply a botanical specimen, but a living form carrying an ancient and enduring heritage.

The tightly framed composition brings the viewer directly into the surface of the corn. Individual kernels become almost jewel-like forms, densely arranged yet each retaining its own character. Carefully placed highlights create a rhythmic progression across the canvas, while the surrounding husks and delicate strands of corn silk provide an organic counterpoint to the rounded geometry of the kernels.

Central to the painting is JChadima’s use of an Old Masters glazing technique. More than twenty layers of differently coloured transparent varnishes were applied to build depth, luminosity, and chromatic complexity. The successive glazes allow light to appear to penetrate the painted layers, giving the kernels their distinctive richness and almost translucent, polished appearance.

The technique creates a compelling dialogue between historical European painting practices and a Native American subject with roots extending back thousands of years. By bringing these traditions together, JChadima connects European craftsmanship with the enduring Indigenous heritage of the Americas, while preserving the immediate beauty and vitality of the corn itself.

Repetition becomes a source of movement rather than uniformity. Individual kernels accumulate into a larger organic structure, while variations in colour, scale, reflection, and placement emphasize the individuality and diversity contained within the unified whole.

Maïs des Indiens d'Amérique ultimately celebrates both the extraordinary beauty of a real natural form and the long cultural heritage embodied within it. Through magnification, saturated colour, and the slow accumulation of more than twenty translucent layers, JChadima brings attention to Native American culture in this piece as an expression of cultural memory, diversity, continuity, resilience, and the enduring relationship between diverse cultures.

Provenance :

Certificate Number : 20231104110931 REFERENCE/ISNI : 2019-0

AKOUN certified: 2600 Euros

EXHIBITIONS :

24eme SALON DES PEINTRES DU MARAIS, HALLE DES BANCS MANTEAUX, PARIS.

À propos de l’œuvre

MAIS DES INDIENS D’AMERIQUE

In Maïs des Indiens d'Amérique, JChadima transforms a familiar botanical subject into a richly coloured study of nature, abundance, cultural heritage, and extraordinary chromatic diversity. Painted in 2019 from a photograph of Native American corn, the work focuses on the remarkable variations of colour and form contained within a single ear, elevating an agricultural plant into a commanding visual presence.

The extraordinary colours represented in the painting are drawn from real Native American corn and are not an abstract invention. Brilliant yellows, greens, oranges, reds, blues, and violets reflect the remarkable natural diversity found among Indigenous corn varieties. Cultivated in the Americas for thousands of years, corn has been preserved across generations by Indigenous peoples and is deeply connected to sustenance, community, tradition, and cultural continuity. The painting therefore presents not simply a botanical specimen, but a living form carrying an ancient and enduring heritage.

The tightly framed composition brings the viewer directly into the surface of the corn. Individual kernels become almost jewel-like forms, densely arranged yet each retaining its own character. Carefully placed highlights create a rhythmic progression across the canvas, while the surrounding husks and delicate strands of corn silk provide an organic counterpoint to the rounded geometry of the kernels.

Central to the painting is JChadima’s use of an Old Masters glazing technique. More than twenty layers of differently coloured transparent varnishes were applied to build depth, luminosity, and chromatic complexity. The successive glazes allow light to appear to penetrate the painted layers, giving the kernels their distinctive richness and almost translucent, polished appearance.

The technique creates a compelling dialogue between historical European painting practices and a Native American subject with roots extending back thousands of years. By bringing these traditions together, JChadima connects European craftsmanship with the enduring Indigenous heritage of the Americas, while preserving the immediate beauty and vitality of the corn itself.

Repetition becomes a source of movement rather than uniformity. Individual kernels accumulate into a larger organic structure, while variations in colour, scale, reflection, and placement emphasize the individuality and diversity contained within the unified whole.

Maïs des Indiens d'Amérique ultimately celebrates both the extraordinary beauty of a real natural form and the long cultural heritage embodied within it. Through magnification, saturated colour, and the slow accumulation of more than twenty translucent layers, JChadima brings attention to Native American culture in this piece as an expression of cultural memory, diversity, continuity, resilience, and the enduring relationship between diverse cultures.

Provenance :

Certificate Number : 20231104110931 REFERENCE/ISNI : 2019-0

AKOUN certified: 2600 Euros

EXHIBITIONS :

24eme SALON DES PEINTRES DU MARAIS, HALLE DES BANCS MANTEAUX, PARIS.

fallback text for a video
A propos de l'artiste Jchadima

Interview by Karen Marin, Rédactrice indépendante Conseiller consultant pour Essenencional et amie de l'artiste (Deuxième partie en français).

JChadima est un peintre et photographe basé à Paris qui continue d’exposer à l’international.
Il est reconnu par le guide international des enchères « AKOUN » avec une cotation certifiée pour la vente de ses œuvres et des évaluations à la revente.

Il a développé ses compétences et sa créativité dès son plus plus jeune âge : JChadima expose et vend son travail depuis longtemps aux Etats-Unis.

Né aux USA, JChadima a fait ses études et a été diplômé à l'Université du Colorado. Son style unique et sa vision créative ont été nourris et se sont construits sur de solides bases qu'il doit à des artistes américains parmi les plus influents du début au milieu du siècle dernier, et à certains de leurs anciens étudiants. Quelques-uns de ses professeurs ont été élèves d'artistes comme Georgia O'Keeffe d'abord, mais aussi Alfred Stieglitz et Ansel Adams. Ils ont été directement impliqués et influents dans les racines artistiques de JChadima.

Utilisant son expertise en photographie, JChadima a développé la capacité d’observer les détails et de s'inspirer du monde qui l'entoure.

Que ce soit directement de la nature ou de la nature morte, des influences urbaines et environnementales ou historiques actuelles, les bases de ses peintures proviennent directement des impressions qu'il tire de sa photographie.

Un processus d'abstraction se produit en voyant au-delà des images et en analysant la ligne, la forme, les formes, les couleurs et les textures.

En utilisant ces aspects, une étude de palette hautement stylisée, graphique et colorée est produite, et ses œuvres prennent vie …


ENGLISH:
JChadima is a Paris based painter and photographer who continues to exhibit internationally.
He is recognized by the international auction guide "AKOUN" with a certified quotation for the sale of his work and resale evaluations.

Refining his skills and highly creativity from a very young age; JChadima has been exhibiting and selling his work from a very young age.

Born in the United States, JChadima was educated and hold several degrees from the University of Colorado. His unique style and creative vision was nurtured and constructed on a solid foundation with some of the most influential early to mid-century American artists and their former students. Artists like Alfred Stieglitz, Ansel Adams, Georgia O’Keeffe, Arthur Dove and others were directly involved and influential in contributing to JChadima’s artistic foundation.

Employing his expertise in photography JChadima developed the ability to discern and draw inspiration from the world around him. Either it be directly from nature or still life, urban and environmental or current historic influences, the bases of his paintings come directly from the impressions he derives from his photography. An abstraction process occurs seeing beyond the images and analysing line, form, shapes, colors, and textures. Utilizing these aspects, a highly stylized, graphic, colorful pallet study is produced, and the pieces of work come to life.

Jchadima

Découvrez les œuvres de JChadima.

1 4
Tout afficher