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ARIZONA CROSS

ARIZONA CROSS

États-Unis d’Amériques

JChadima

Peinture

Style : Abstrait

Huile, Toile de lin, 2022

41 cm x 33 cm

€1.200,00 EUR
€1.200,00 EUR
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A propos de l'oeuvre

Arizona Cross develops from JChadima’s interest in the landscape as a meeting point between natural perception and constructed form. Rather than presenting the desert as a literal geographical view, the artist transforms the landscape into a highly stylized composition in which horizon, colour, geometry, and spatial rhythm become the primary subjects.

At the centre of the composition, a monumental cross rises through the landscape in deep blues and greys. Its strong geometric presence is interrupted by a stark white line that cuts through the structure, establishing a powerful vertical axis and creating a visual tension between solidity and openness. Against this central form, the sky expands in a dramatic gradient, moving from intense orange toward luminous yellow at the horizon.

Below, the landscape is reduced to broad, undulating bands of saturated colour. Purples, greens, reds, and oranges flow across the lower portion of the composition, transforming the terrain into an almost surreal sequence of rhythmic forms. These organic movements contrast with the architectural precision of the central structure, creating a dialogue between the irregularity of nature and the stability of geometry.

As in JChadima’s broader practice, observation becomes transformation. The landscape is distilled into its essential visual components—line, colour, shape, light, and spatial relationships. The recognizable characteristics of the desert remain present, yet they are reorganized into an abstract visual language in which the landscape becomes simultaneously place, memory, and imagined space.

The dramatic contrast between the central blue-grey structure of a cross and the intensely coloured environment gives Arizona Cross its distinctive psychological presence. The white vertical passage becomes both a dividing line and a point of connection, drawing the eye from the foreground toward the illuminated horizon. The painting therefore operates not simply as a landscape, but as a meditation on scale, direction, and the encounter between human-made structure and the expansive natural world.

Arizona Cross reflects JChadima’s continuing interest in transforming familiar environments into moments of heightened perception. Through abstraction, colour, and simplified geometry, the ordinary landscape is made unfamiliar again inviting the viewer to slow down and experience its underlying rhythm and visual energy.

“The western landscape becomes a meeting place between geometry, colour, and the vastness of light.”

Provenance

CERTIFICATE OF AUTHENTICITY N° 20260818062206 | REFERENCE/ISNI : 2022-05

AKOUN CERTIFIED : 1200 Euros   

À propos de l’œuvre

Arizona Cross develops from JChadima’s interest in the landscape as a meeting point between natural perception and constructed form. Rather than presenting the desert as a literal geographical view, the artist transforms the landscape into a highly stylized composition in which horizon, colour, geometry, and spatial rhythm become the primary subjects.

At the centre of the composition, a monumental cross rises through the landscape in deep blues and greys. Its strong geometric presence is interrupted by a stark white line that cuts through the structure, establishing a powerful vertical axis and creating a visual tension between solidity and openness. Against this central form, the sky expands in a dramatic gradient, moving from intense orange toward luminous yellow at the horizon.

Below, the landscape is reduced to broad, undulating bands of saturated colour. Purples, greens, reds, and oranges flow across the lower portion of the composition, transforming the terrain into an almost surreal sequence of rhythmic forms. These organic movements contrast with the architectural precision of the central structure, creating a dialogue between the irregularity of nature and the stability of geometry.

As in JChadima’s broader practice, observation becomes transformation. The landscape is distilled into its essential visual components—line, colour, shape, light, and spatial relationships. The recognizable characteristics of the desert remain present, yet they are reorganized into an abstract visual language in which the landscape becomes simultaneously place, memory, and imagined space.

The dramatic contrast between the central blue-grey structure of a cross and the intensely coloured environment gives Arizona Cross its distinctive psychological presence. The white vertical passage becomes both a dividing line and a point of connection, drawing the eye from the foreground toward the illuminated horizon. The painting therefore operates not simply as a landscape, but as a meditation on scale, direction, and the encounter between human-made structure and the expansive natural world.

Arizona Cross reflects JChadima’s continuing interest in transforming familiar environments into moments of heightened perception. Through abstraction, colour, and simplified geometry, the ordinary landscape is made unfamiliar again inviting the viewer to slow down and experience its underlying rhythm and visual energy.

“The western landscape becomes a meeting place between geometry, colour, and the vastness of light.”

Provenance

CERTIFICATE OF AUTHENTICITY N° 20260818062206 | REFERENCE/ISNI : 2022-05

AKOUN CERTIFIED : 1200 Euros   

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A propos de l'artiste Jchadima

Interview by Karen Marin, Rédactrice indépendante Conseiller consultant pour Essenencional et amie de l'artiste (Deuxième partie en français).

JChadima est un peintre et photographe basé à Paris qui continue d’exposer à l’international.
Il est reconnu par le guide international des enchères « AKOUN » avec une cotation certifiée pour la vente de ses œuvres et des évaluations à la revente.

Il a développé ses compétences et sa créativité dès son plus plus jeune âge : JChadima expose et vend son travail depuis longtemps aux Etats-Unis.

Né aux USA, JChadima a fait ses études et a été diplômé à l'Université du Colorado. Son style unique et sa vision créative ont été nourris et se sont construits sur de solides bases qu'il doit à des artistes américains parmi les plus influents du début au milieu du siècle dernier, et à certains de leurs anciens étudiants. Quelques-uns de ses professeurs ont été élèves d'artistes comme Georgia O'Keeffe d'abord, mais aussi Alfred Stieglitz et Ansel Adams. Ils ont été directement impliqués et influents dans les racines artistiques de JChadima.

Utilisant son expertise en photographie, JChadima a développé la capacité d’observer les détails et de s'inspirer du monde qui l'entoure.

Que ce soit directement de la nature ou de la nature morte, des influences urbaines et environnementales ou historiques actuelles, les bases de ses peintures proviennent directement des impressions qu'il tire de sa photographie.

Un processus d'abstraction se produit en voyant au-delà des images et en analysant la ligne, la forme, les formes, les couleurs et les textures.

En utilisant ces aspects, une étude de palette hautement stylisée, graphique et colorée est produite, et ses œuvres prennent vie …


ENGLISH:
JChadima is a Paris based painter and photographer who continues to exhibit internationally.
He is recognized by the international auction guide "AKOUN" with a certified quotation for the sale of his work and resale evaluations.

Refining his skills and highly creativity from a very young age; JChadima has been exhibiting and selling his work from a very young age.

Born in the United States, JChadima was educated and hold several degrees from the University of Colorado. His unique style and creative vision was nurtured and constructed on a solid foundation with some of the most influential early to mid-century American artists and their former students. Artists like Alfred Stieglitz, Ansel Adams, Georgia O’Keeffe, Arthur Dove and others were directly involved and influential in contributing to JChadima’s artistic foundation.

Employing his expertise in photography JChadima developed the ability to discern and draw inspiration from the world around him. Either it be directly from nature or still life, urban and environmental or current historic influences, the bases of his paintings come directly from the impressions he derives from his photography. An abstraction process occurs seeing beyond the images and analysing line, form, shapes, colors, and textures. Utilizing these aspects, a highly stylized, graphic, colorful pallet study is produced, and the pieces of work come to life.

Jchadima

Découvrez les œuvres de JChadima.

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