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SPRINGTIME IN PARIS 17

SPRINGTIME IN PARIS 17

États-Unis d’Amériques

JChadima

Peinture

Style : Abstrait

Huile, Toile de lin,

70 cm x 50 cm

€2.800,00 EUR
€2.800,00 EUR
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A propos de l'oeuvre

SPRINGTIME IN PARIS 17

In Springtime in Paris 17, JChadima advances the series’ investigation of botanical form through magnification, reduction, and abstraction. The flower is no longer presented as a discrete object to be observed from a distance; instead, its internal structure expands across the canvas, transforming petals and folds into an immersive field of colour, curvature, and spatial movement.

The composition is distinguished by its extensive use of white. At the periphery, forms are deliberately burned out into an almost featureless luminosity, dissolving conventional boundaries and minimizing visual information. This treatment serves an important compositional purpose: with little to hold the eye at the edges, attention is progressively directed toward the concentrated colour and structure at the center.

There, luminous passages of lime and yellow green deepen into olive and shadowed green. Layered forms curl and fold inward, establishing a pronounced spatial recession and creating the sensation of falling into the depths of a flower. The center functions as the painting’s gravitational point, drawing the viewer from the expansive whiteness of the surface toward a compressed and increasingly enigmatic interior.

JChadima’s manipulation of scale further destabilizes conventional botanical representation. Sweeping arcs extend beyond the boundaries of the canvas, while individual petals become sculptural planes that alternately emerge, overlap, and disappear. The flower remains perceptible as the source of the image, yet its identity becomes secondary to the relationships between positive and negative space, luminosity and shadow, surface and depth.

Within the Springtime in Paris series, No. 17 exemplifies a recurring concern in JChadima’s work: the transformation of close observation into an altered experience of perception. By allowing the periphery to dissolve into white while intensifying the center through colour and spatial compression, JChadima reverses the conventional experience of looking at a flower. Rather than presenting nature for observation, the painting draws the viewer inward, turning the act of looking into an experience of entering the subject itself.

Provenance :

CERTIFIED EXPERT N° 20260903104143 | REFERENCE/ISNI : 2024-27

AKOUN CERTIFIED : 2800 Euros.
Exhibitions :

2024 CARROUSEL DU LOUVRE, PARIS

À propos de l’œuvre

SPRINGTIME IN PARIS 17

In Springtime in Paris 17, JChadima advances the series’ investigation of botanical form through magnification, reduction, and abstraction. The flower is no longer presented as a discrete object to be observed from a distance; instead, its internal structure expands across the canvas, transforming petals and folds into an immersive field of colour, curvature, and spatial movement.

The composition is distinguished by its extensive use of white. At the periphery, forms are deliberately burned out into an almost featureless luminosity, dissolving conventional boundaries and minimizing visual information. This treatment serves an important compositional purpose: with little to hold the eye at the edges, attention is progressively directed toward the concentrated colour and structure at the center.

There, luminous passages of lime and yellow green deepen into olive and shadowed green. Layered forms curl and fold inward, establishing a pronounced spatial recession and creating the sensation of falling into the depths of a flower. The center functions as the painting’s gravitational point, drawing the viewer from the expansive whiteness of the surface toward a compressed and increasingly enigmatic interior.

JChadima’s manipulation of scale further destabilizes conventional botanical representation. Sweeping arcs extend beyond the boundaries of the canvas, while individual petals become sculptural planes that alternately emerge, overlap, and disappear. The flower remains perceptible as the source of the image, yet its identity becomes secondary to the relationships between positive and negative space, luminosity and shadow, surface and depth.

Within the Springtime in Paris series, No. 17 exemplifies a recurring concern in JChadima’s work: the transformation of close observation into an altered experience of perception. By allowing the periphery to dissolve into white while intensifying the center through colour and spatial compression, JChadima reverses the conventional experience of looking at a flower. Rather than presenting nature for observation, the painting draws the viewer inward, turning the act of looking into an experience of entering the subject itself.

Provenance :

CERTIFIED EXPERT N° 20260903104143 | REFERENCE/ISNI : 2024-27

AKOUN CERTIFIED : 2800 Euros.
Exhibitions :

2024 CARROUSEL DU LOUVRE, PARIS

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A propos de l'artiste Jchadima

Interview by Karen Marin, Rédactrice indépendante Conseiller consultant pour Essenencional et amie de l'artiste (Deuxième partie en français).

JChadima est un peintre et photographe basé à Paris qui continue d’exposer à l’international.
Il est reconnu par le guide international des enchères « AKOUN » avec une cotation certifiée pour la vente de ses œuvres et des évaluations à la revente.

Il a développé ses compétences et sa créativité dès son plus plus jeune âge : JChadima expose et vend son travail depuis longtemps aux Etats-Unis.

Né aux USA, JChadima a fait ses études et a été diplômé à l'Université du Colorado. Son style unique et sa vision créative ont été nourris et se sont construits sur de solides bases qu'il doit à des artistes américains parmi les plus influents du début au milieu du siècle dernier, et à certains de leurs anciens étudiants. Quelques-uns de ses professeurs ont été élèves d'artistes comme Georgia O'Keeffe d'abord, mais aussi Alfred Stieglitz et Ansel Adams. Ils ont été directement impliqués et influents dans les racines artistiques de JChadima.

Utilisant son expertise en photographie, JChadima a développé la capacité d’observer les détails et de s'inspirer du monde qui l'entoure.

Que ce soit directement de la nature ou de la nature morte, des influences urbaines et environnementales ou historiques actuelles, les bases de ses peintures proviennent directement des impressions qu'il tire de sa photographie.

Un processus d'abstraction se produit en voyant au-delà des images et en analysant la ligne, la forme, les formes, les couleurs et les textures.

En utilisant ces aspects, une étude de palette hautement stylisée, graphique et colorée est produite, et ses œuvres prennent vie …


ENGLISH:
JChadima is a Paris based painter and photographer who continues to exhibit internationally.
He is recognized by the international auction guide "AKOUN" with a certified quotation for the sale of his work and resale evaluations.

Refining his skills and highly creativity from a very young age; JChadima has been exhibiting and selling his work from a very young age.

Born in the United States, JChadima was educated and hold several degrees from the University of Colorado. His unique style and creative vision was nurtured and constructed on a solid foundation with some of the most influential early to mid-century American artists and their former students. Artists like Alfred Stieglitz, Ansel Adams, Georgia O’Keeffe, Arthur Dove and others were directly involved and influential in contributing to JChadima’s artistic foundation.

Employing his expertise in photography JChadima developed the ability to discern and draw inspiration from the world around him. Either it be directly from nature or still life, urban and environmental or current historic influences, the bases of his paintings come directly from the impressions he derives from his photography. An abstraction process occurs seeing beyond the images and analysing line, form, shapes, colors, and textures. Utilizing these aspects, a highly stylized, graphic, colorful pallet study is produced, and the pieces of work come to life.

Jchadima

Découvrez les œuvres de JChadima.

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