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SPRINGTIME IN PARIS 14

SPRINGTIME IN PARIS 14

États-Unis d’Amériques

JChadima

Style :

, ,

cm x cm

€1.500,00 EUR
€1.500,00 EUR
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About the artwork

SPRINGTIME IN PARIS 14 

In Springtime in Paris 14, JChadima presents the interior of a flower as a richly layered arrangement of curving shapes and unfolding surfaces. The tightly framed composition eliminates any conventional sense of setting, bringing the viewer directly into the flower’s complex interior. The result is an image that feels intimate and expansive at the same time.

The painting is built around a distinctive harmony of creamy whites, silvery greys, citron yellows, olive greens, and cool blue-green accents. These colours create a gentle luminosity across the surface while giving individual forms their own character. Yellow highlights appear almost to glow, providing moments of warmth among the cooler grey and green passages.

A remarkable sense of depth develops through the arrangement of the petals. Large, smooth shapes frame smaller, more intricate folds near the center, producing a succession of visual layers. Some forms appear to advance while others recede into shadow, giving the composition a subtle spatial tension. The eye moves through these alternating areas of openness and compression rather than settling immediately on a single element.

Particularly striking is the small yellow structure near the lower center of the painting. Surrounded by much larger forms, it acts almost like a point of illumination. Its delicate vertical presence contrasts with the broad curves around it and provides an unexpected moment of precision within the composition.

The painting also possesses a strong physical character. The rounded edges, folds, and softly modelled surfaces give the forms a tactile presence, as though they might continue opening beyond the moment captured on the canvas. The botanical subject becomes less about identifying a particular flower and more about experiencing the remarkable complexity contained within its structure.

Springtime in Paris 14 ultimately celebrates the act of looking closely. By isolating a small interior world and giving it prominence, JChadima draws attention to forms that could easily remain unseen. The painting offers a quiet discovery: within the folds of a flower exists an intricate visual language of light, shadow, colour, and form waiting to be noticed.

Provenance:

CERTIFICATE OF AUTHENTICITY N° 20241008115809

AKOUN CERTIFIED : 1500 Euros

Exhibitions :  

2024 CARROUSEL DU LOUVRE, PARIS

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About the artist Jchadima

Interview by Karen Marin, Independent Editor Consulting Advisor for Essenencional and friend of the artist (Second part in French).

JChadima is an American painter and photographer living in Paris.

He developed his skills and creativity from a very young age: JChadima has been exhibiting and selling his work for a long time in the United States.

Born in the USA, JChadima studied and graduated from the University of Colorado. His unique style and creative vision were nurtured and built upon a solid foundation by some of the most influential American artists of the early to mid-century, and some of their former students. Some of his teachers were students of artists such as Georgia O'Keeffe first, but also Alfred Stieglitz and Ansel Adams. They were directly involved and influential in JChadima's artistic roots.

Using her expertise in photography, JChadima developed the ability to observe details and draw inspiration from the world around her.

Whether directly from nature or still life, from current urban and environmental or historical influences, the bases of his paintings come directly from the impressions he draws from his photography.

A process of abstraction occurs by seeing beyond images and analyzing line, shape, shapes, colors and textures.

This work produces a highly stylized, graphic and colorful palette, and his works come to life...

Jchadima

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