• 67ba0902ddedd507fb90891c_2023-n-5-fremont-peak-70x50_1769120338719.jpg
1 1
Exclusive artwork in our gallery !

FREMONT PEAK

FREMONT PEAK

États-Unis d’Amériques

JChadima

Painting

Style : Abstract

Oil, Linen canvas, 2023

50 cm x 70 cm

€3.000,00 EUR
€3.000,00 EUR
Available Sold out
Taxes included. Shipping calculated at checkout.

Shipping & Returns

  • Professional worldwide delivery, monitored by our logistics experts
  • Shipping, taxes, and customs duties are included in the price

Warranty

Horizon World Art guarantees reliability and traceability.

All artists on the platform have been specially selected and certify that they only sell works of which they are the authors. Regardless of the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.

Each customer can receive a copy of their certificate of authenticity by contacting contact@horizonworldart.com

Payment

With Horizon World Art, you can pay securely by credit card or bank transfer.

For all transactions exceeding your credit limit, please contact us. We are required to verify each transfer as part of our efforts to combat fraud and money laundering.

Price

Horizon World Art prices include the following:

  • Artwork price as set by an artist
  • Insurance. Your order is 100% protected against damage or loss
  • Customs duties, taxes and document preparation
  • Shipping costs from the logistics provider
  • An Horizon World Art customer service specialist who will answer all your questions or concerns during shipping
Unique and signed artwork With certificate of authenticity
International delivery By specialists
Secure payment SSL encryption
View full details

About the artwork

FREMONT PEAK

In Fremont Peak, JChadima transforms the mountainous terrain surrounding Cañon City and the Royal Gorge region into a study of abstraction and memory. Rising along the northeastern edge of the Royal Gorge within the Gorge Hills, Fremont Peak provides the geographical point of departure for a composition that extends beyond literal representation.

Overlapping formations of turquoise, violet, orange, yellow, ochre, and deep red establish depth through contour and scale rather than conventional perspective. Rounded foreground forms lead toward the distant mountain masses, while the expansive blue sky provides a quiet counterpoint to the chromatic intensity below.

The hues within JChadima’s palette become both structural and mnemonic, associated with particular memories, people, times, and sensory impressions from the past. Their placement and interaction evoke the rhythms of people and experiences remembered, giving the abstracted landscape an emotional geography deeply rooted in JChadima’s visual memory of the past.

Although the title identifies Fremont Peak as a specific location, JChadima’s abstraction releases the terrain from geographic specificity. Mountains become interlocking masses of colour and contour, suggesting a landform that might exist anywhere across the vast American West. The identifiable landmark thus becomes a broader expression of western scale, openness, and geological presence.

The work retains an autobiographical foundation. During childhood journeys along U.S. Highway 50 to visit family, the first view of Fremont Peak and the surrounding mountains marked a recurring moment of recognition and arrival. This memory remains embedded in the painting, informing its emotional character without becoming its narrative focus.

JChadima’s simplification of form and expressive use of colour also reflect his continuing engagement with the American modernist tradition of landscape painting, in which observed terrain becomes a point of departure for abstraction. Here, geography and memory converge: a familiar landmark is transformed into a more universal image of the American West and an enduring sense of recognition, arrival, and return.

Provenance:

AKOUN CERTIFIED: 3000 Euros

 

About the artwork

FREMONT PEAK

In Fremont Peak, JChadima transforms the mountainous terrain surrounding Cañon City and the Royal Gorge region into a study of abstraction and memory. Rising along the northeastern edge of the Royal Gorge within the Gorge Hills, Fremont Peak provides the geographical point of departure for a composition that extends beyond literal representation.

Overlapping formations of turquoise, violet, orange, yellow, ochre, and deep red establish depth through contour and scale rather than conventional perspective. Rounded foreground forms lead toward the distant mountain masses, while the expansive blue sky provides a quiet counterpoint to the chromatic intensity below.

The hues within JChadima’s palette become both structural and mnemonic, associated with particular memories, people, times, and sensory impressions from the past. Their placement and interaction evoke the rhythms of people and experiences remembered, giving the abstracted landscape an emotional geography deeply rooted in JChadima’s visual memory of the past.

Although the title identifies Fremont Peak as a specific location, JChadima’s abstraction releases the terrain from geographic specificity. Mountains become interlocking masses of colour and contour, suggesting a landform that might exist anywhere across the vast American West. The identifiable landmark thus becomes a broader expression of western scale, openness, and geological presence.

The work retains an autobiographical foundation. During childhood journeys along U.S. Highway 50 to visit family, the first view of Fremont Peak and the surrounding mountains marked a recurring moment of recognition and arrival. This memory remains embedded in the painting, informing its emotional character without becoming its narrative focus.

JChadima’s simplification of form and expressive use of colour also reflect his continuing engagement with the American modernist tradition of landscape painting, in which observed terrain becomes a point of departure for abstraction. Here, geography and memory converge: a familiar landmark is transformed into a more universal image of the American West and an enduring sense of recognition, arrival, and return.

Provenance:

AKOUN CERTIFIED: 3000 Euros

 

fallback text for a video
About the artist Jchadima

Interview by Karen Marin, Independent Editor Consulting Advisor for Essenencional and friend of the artist (Second part in French).

JChadima is an American painter and photographer living in Paris.

He developed his skills and creativity from a very young age: JChadima has been exhibiting and selling his work for a long time in the United States.

Born in the USA, JChadima studied and graduated from the University of Colorado. His unique style and creative vision were nurtured and built upon a solid foundation by some of the most influential American artists of the early to mid-century, and some of their former students. Some of his teachers were students of artists such as Georgia O'Keeffe first, but also Alfred Stieglitz and Ansel Adams. They were directly involved and influential in JChadima's artistic roots.

Using her expertise in photography, JChadima developed the ability to observe details and draw inspiration from the world around her.

Whether directly from nature or still life, from current urban and environmental or historical influences, the bases of his paintings come directly from the impressions he draws from his photography.

A process of abstraction occurs by seeing beyond images and analyzing line, shape, shapes, colors and textures.

This work produces a highly stylized, graphic and colorful palette, and his works come to life...

Jchadima

Discover the artworks of JChadima

1 4
View all