WHEN LEAVES FALL

In When Leaves Fall, JChadima draws upon the marronnier, or horse chestnut tree, a familiar presence in the gardens and streets of Paris, to examine the threshold between botanical representation and abstraction. Its expansive leaves begin their transformation early in the season, shifting through multiple hues and bringing unexpected bursts of colour to the Parisian landscape. This seasonal metamorphosis provides the formal vocabulary for a composition concerned less with description than with rhythm, structure, and transformation.

Through radical cropping and enlargement, JChadima removes the leaves from their conventional spatial context. Their veins, folds, and overlapping surfaces are translated into elongated bands and undulating planes that move diagonally across the canvas. The resulting image retains its botanical origins while approaching abstraction, creating a tension between recognition and pure form.

Colour assumes a structural role. Saturated magentas and deep burgundies are set against ochres, creams, earthen browns, and incisive passages of yellow green. Rather than adhering to naturalistic colour, JChadima heightens and reorganizes the palette, using chromatic contrast to articulate depth and direct the movement of the eye. The composition consequently oscillates between surface and illusionistic space: forms appear alternately to fold inward, project outward, and dissolve into adjacent passages of colour.

The Parisian marronnier serves not simply as subject but as a point of departure. By isolating a transient element of the urban landscape and enlarging it beyond ordinary perception, JChadima shifts attention from the identity of the leaf to its underlying architecture. In When Leaves Fall, the seasonal cycle becomes a formal investigation of movement, impermanence, and the expressive possibilities contained within organic structure.

Provenance:

AKOUN CERTIFIED: 6900 Euros