The City of Wellington - 1956
The City of Wellington - 1956
France
Nathalie ChapelainPaint
Style: Figurative
Oil and Knife, Canva, 2023
80 cm x 80 cm
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About the artwork
This oil and palette knife painting exudes visual power through its sharp contrasts. The yellow-ochre sky creates a warm and dynamic atmosphere, while the black and white boat stands out powerfully against this bright background. This use of black for the sea and the harbor further accentuates the silhouette of the boat, giving it an imposing presence. The captain's position, watching the passengers embark, adds a narrative dimension to the scene. His gaze directed towards the bow of the boat reinforces the impression of grandeur and importance of the vessel, as if ready to conquer the seas. The touches of blue and red-ochre bring a modernity and liveliness that contrast with the rest of the palette, adding a touch of energy to the whole. This painting seems to capture a moment of transition, where the excitement of embarkation blends with the majesty of the ship. It invites the viewer to feel the anticipation and adventure that await the passengers.
Having just arrived in Rennes, I quickly took the pulse of this organic city – small enough to be affordable, large enough to offer a host of urban panoramas. From the perspective of a newcomer, I observed, for a long time, on foot, the everyday landscapes: squares, intersections, buildings… Far from the timber-framed buildings, the markets and the parks, to see “what makes a city”, to watch its heart beat. To understand its intimacy, what is never shown. Its rains. Its nights. Its asphalt. Its reflections.
It is this alphabet that writes the daily life of Rennes that I wanted to paint in a sharp, knife-like manner. Like Rennes, the lines are vivid, the colors pop, and energy bursts forth from behind the false tranquility of the wise buildings.
At the other end of Rennes, at the very end, other territories: the sea, the ocean, the harbors, the docks... always within train reach. From my platform I set off on an expedition to the port cities with the same approach: to paint the beauty of everyday life at sea, the delicate harshness of the raw port construction sites. The infinity of colors faded by the years. Machines and men, rust and definitive horizons. The majesty of sea vessels that express, in their own way, the power of the ordinary.
Nathalie Chapelain
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